Granted, you might need to be pretty close to the barrier for it to have the best effect on photographing a musician, but even from the middle of the crowd - it'll capture amazing photos of any mosh pits happening around you!Ī compatible Moment phone case or drop-in lens mount is required to use this M-series lens, and offers seamless integration with your phone using a twist feature that locks the lens securely onto your device and won't easily fall off. And that's where this fisheye lens from Moment comes in handy for capturing a wider scene with a creative flair. Sometimes, it's not always possible to take your camera into a show if you don't get approval or credentials in time. When shooting on a full ratio, the fisheye effect is softened If you're the type of photographer that prefers using primes, then you could definitely get away with using a wide prime, and a more macro-telephoto prime together by pairing a 24mm with, say, a 90mm lens for a show and switching between them or having two bodies, but zooms provide the luxury of not having to switch between lenses.Ĭheck out our guide to the best standard zooms for other mount options There's also a version IIof this lens having been upgraded slightly, but for the added cost, it still doesn't have optical stabilization. Now, lenses with this particular focal range don't come cheap due to their popularity, but on the plus side, are available in pretty much all lens mounts with Canon offering its own Canon EF 24-70mm f/2.8L II USM variant, as well as the similar NIKKOR Z 24-70mm f/2.8 S and highly popular Sigma 24-70mm f/2.8 AF DG DN Art lens. A favorite among music photographers for its versatility, if you can only take one lens to a show then make it this one. This focal length of 24-70mm is considered to be the dream sweet spot for music photographers, adept for those wider stage shots as well as tight musician on-stage portraits. Pro tip: Pair this lens with the Moment CineFlare Gold Streak Filter for amazing experimental on-stage light flares to take your shots to the next level. This lens is also versatile enough for both wider stage shots, as well as closer range portraits for shooting at more compact venues such as clubs and pubs. The Tamron 24mm is not only wide, but exceptionally sharp, and the F/2.8 maximum aperture is fantastic for low-light conditions. If the musician or band you're photographing like to jump around and perform kick splits and crowd spits, play guitar back to back with another person, stand on top of the drum kit to entice the crowd, fire off a confetti canon - you get the idea - then this is the lens that you'll want to keep close by for capturing the unexpected. This lens from Tamron is small but mighty! For gig photography, it's one of the best wide-angle lenses you can get (at a super affordable price secondhand) to capture the on-stage action without needing to opt for a fisheye lens. It's also important to be hyper-aware of your surroundings at all times, that includes not blocking other photographers who are in the pit with you, keeping an eye on crowd surfers, and protecting your gear from air-borne alcohol.Īside from that, have fun! Best lenses for concert photography in 2023 Primes And it's also to stop you from blocking the front row of the crowd all night and getting in the way of security. There are a few different reasons why this rule exists, but it was primarily introduced in the 1980s to stop photographers from capturing artists once they start to melt and get all sweaty under the stage lights. Firstly, as mentioned above, most venues and shows will implement a ' first three, no flash' policy which means you cannot use any kind of flash whatsoever unless told otherwise, and you can only shoot the first three songs of a setlist for each band or artist. With all that in mind, there's just a few extra things you might need to know before diving into gig photography. Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you.
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